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The scripts are written not by humans and not with heart, and the singular focus is on how the product (or "movie" as you or I might call it) can have the largest possible appeal to the most amount of people. Then there's… 95/100 [originally written on my blog] Previously addressed here, though I now repudiate my assessment of its visual scheme as "purely functional"—Farhadi has an elegant, fluid sense of how to organize chaotic human behavior for maximum expressiveness, one that extends well beyond his rather obvious (but still effective) strategy of placing physical barriers (usually glass) between characters in nearly every shot. (I think it seemed less impressive to me than About Elly the first time simply because this one takes place in the city, mostly indoors; it's hard to beat the seaside for ready-made grandeur. ) Second viewing turned it into a slow-motion disaster movie, as I was even more cruelly aware of various points at which the entire mess could… Kukira ceritanya sekedar tentang pasangan yang di poster ternyata lebih dari itu.
SCREWED (Pihalla) FIN 2017: Screwed (orig. Pihalla) is a Finnish drama film, where seventeen year olds Miku and Elias find themselves, and each other, during a summer in the Finnish countryside. Love is not as easy as it seems. Trailer: This was the first one from this list I've seen, and it was alright. Being familiar with Finnish music overall made me have bigger expectations from this but it was good. ONE KISS (Un Bacio) ITA 2016: Antonio is a basketball player for the high school team, but off the court he is bullied by his teammates. He spends most of his time silent and grieving over the death of his popular older brother. Blu is a smart girl who has written an unpublished book and is fighting vulgar graffiti on the school walls condemning her past sexual exploits. Lorenzo, recently adopted, is the new gay kid in school who guards himself with his colourful sense of fashion and love of Gaga music. It doesn't take long for all three to befriend each other, which proves to be a strength for fending off bullies.
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Se siente, sin duda, que se pudo aprovechar mejor la historia. Es una de esas historias que ya habíamos visto, pero Abella mantiene las cosas interesantes con su enfoque en los detalles y la evolución en capas del personaje de Salas. La película no le resulta fácil a Sofía, pero aún le da espacio a Salas para encontrar su vulnerabilidad. Las Niñas Bien, en última instancia, es un estudio sobre la mujer y cómo lidiar con la ansiedad. Aunque la narrativa transcurre casi al mismo ritmo todo el tiempo y no ofrece ningún giro ni momento inesperado, si no que todas las sospechas que desarrollamos se van haciendo realidad, al final sentimos empatía por estos mimados personajes. La dura verdad aquí es que las mujeres que parecen poderosas a menudo están indefensas en una sociedad patriarcal. Márquez Abella escribió el guión de Las Niñas Bien con una visión clara de que no sería una comedia y aunque parece serlo, dista mucho de esto. La directora deja claro que la sociedad debería dejar de reírse de la clase alta y tomarla en serio.