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If you can't see some episodes that you think should be there, try selecting the Simulcast video source instead of the "Uncut" video source. (The Simulcast version is not censored; "Uncut" video simply features Bluray animation corrections. ) AnimeLab (Australia and New Zealand, premium only): Episodes 1-104 are available on this service. AnimeLab also has the entire series subbed for free and premium users; the subtitles for those episodes covered by the dub are still those provided by Toei for the simulcast, rather than the Funimation-Simmons subtitles on the home release. Microsoft Digital, Amazon Digital, iTunes, Google Play, or the Playstation Store (US only): Episodes 1-117 are available for purchase on these platforms. The final part (118-131) should be available shortly after the physical release of Part 9 (105-117). As usual for digital releases, the dubbed and subtitled versions are sold separately; the subbed version has the Funimation-Simmons subtitles rather than the Toei simulcast subtitles.
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Q: " There is no video at all!! What do I do? " A: Video is definitely there but it may take some time to load because of high demands to the servers. Give it a few minutes and click "refresh" on your browser. However we also experienced that your browser may cause the problem if this is the case restart your browser completely and try again. I cannot watch video on my computer. What do I do? If you click refresh on your browser problem will be solved%76. If still persists report to us. " Invalid Url or Video " What do I do? Don't panic. refresh your page 2-3 times and try. It usually works but if it is still same report it. Regular Show: The Movie images, pictures
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Le lundi 15 juin, les téléspectateurs découvriront enfin les nombreuses lettres recues par les candidats. Après lecture, ils choisiront quelques prétendantes pour une séance de speed dating. Au terme de ces rencontres express, les agriculteurs ne devront garder que deux âmes soeurs potentielles pour partager un petit séjour à la ferme. Découvrez la bande-annonce de L'amour est dans le pré: Découvrez la bande-annonce de L'amour est dans le pré: Que sont-ils devenus? L'article parle...
J'espère, inch Allah qu'elle va bien. Grand bravo à la patronne pour son grand coeur. " " Devant le replay de La robe de ma vie j'espère que Mahdia va bien et se bat en tout cas. Elle est ultra touchante et forte. " Inscrivez-vous à la Newsletter de pour recevoir gratuitement les dernières actualités
Face à Pierre Zéni, Guillaume Canet évoque son plaisir mais aussi les difficultés rencontrées lors de la production de NE LE DIS A PERSONNE, qui lui valu au final pas moins de 4 César en 2007 dont ceux du meilleur réalisateur et du meilleur acteur pour François Cluzet. Interview réalisée à l'occasion de sa diffusion du film sur CINE+
Woman with Red Hair, 1917 Oil on canvas 36 1/4 × 23 7/8 in 92. 1 × 60. 6 cm Courtesy National Gallery of Art, Washington Amedeo Modigliani Italian, 1884–1920 • Follow Italian painter and sculptor Amedeo Modigliani is celebrated for his iconic portraits, which, with often mask-like faces and striking blue-eyes, have become iconic works of the early 20th century. Inspired by Existentialist philosophy and a rejection of his bourgeois childhood, Modigliani chose not to paint landscapes, like many of his contemporaries, instead using portraiture to explore both his own psychology and that of his subjects, who were typically fellow artists or lovers. Modigliani also painted highly sexualized female nudes that at the time, were daringly erotic. His style is figurative but also highly expressive, and his subjects are shown with quirks and asymmetries, recalling the portraiture of Paul Cézanne, whose work Modigliani greatly admired. Modigliani befriended Pablo Picasso after moving to Paris in 1906, and like Picasso, he drew inspiration from art of so-called "primitive" cultures, his work often resembling African or Pre-Columbian statuary.
Lejos de la urbe –y del cataclismo de la cultura–, en la silvestre Os Ancares, en Galicia, el cineasta Oliver Laxe (París, 1982), autor de la exquisita 'O que arde', tres veces premiado en Cannes, tiene una perspectiva singular de este año inclemente. Reforzada, quizá, por un inesperado desprendimiento de retina que le obliga a tener la cabeza gacha. -¿Precisamente los ojos? ¿Usted? -El guion del mundo está bien escrito. En una comida, hace dos semanas, le dije a una compañera: "Quiero matar al artista que llevo dentro". Y, pam, tuve el desprendimiento. ¿Y sabe cómo se cura? Manteniendo la cabeza agachada. [Ríe] Tengo que 'humillarme', a lo mejor porque no lo hice lo suficiente. -¿Quiere matar al artista, dice? -El arte es una herramienta para ser una persona más libre y soberana, pero las hay mejores. A veces, más que emanciparte, te aprisiona. Hay mucho ensimismamiento. -Usted mira desde otro lado. -Quizá la clave de mi mirada está en que he guardado la inocencia. Soy fuerte como un guerrero de las montañas de Os Ancares, pero esa fortaleza protege mi fragilidad y mi pureza.
